Reviews


 

TUR-PEX – YOUR CHOICE

Mastersound Monoblock 300B PLUS at CES 2012
“The Mastersound drove the Orpheus gloriously with all the top-end glamour as can be expected from any 300B-based amplifier, the only difference is the Orpheus is rated at only 87 dB, a sensitivity rating which usually calls for higher output solid-state amplifiers. I was impressed!”

Mastersound reportage at CES 2012

 

Hanss Acoustics RC-20 – Hi-Fi Choice review

 

 

Lyngdorf RP-1

“When you consider that I have over $5,000 worth of room treatments and that I could have avoided buying them, and can now actually consider removing them, the $3,800 cost of the RP-1 is a bargain. In fact, I think it’s fair to say that the Lyngdorf RP-1 is the most cost-effective piece of audio hardware that I’ve personally tried.”

http://www.dagogo.com/View-Article.asp?hArticle=101

ESA Credo 1 Illuminator

These loudspeakers are refined and well balanced (…). Credo 1 Illuminator is well worth its price.

Magazyn Hi-Fi, Poland 12/2010

 

ETI Bullet Plug RCA

“If you’re a music lover who doesn’t fret over a very slight loss of transparency and inner detail with the Eichmanns, I’d go for them because of their superior musicality – they were my favorites of the shootout.”

www.eti-research.com.au/pdfs/reviews4.pdf

 

APS IO

“The IOs really impressed us – partly because they don’t try too hard to impress. That might sound odd, but you don’t have to go too far to find monitors that almost seek to purposefully colour sound to provide a more impressive first experience which, over time, does an owner no favours.”

Review on musicradar.com

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MastersounD Due Venti & Due Trenta

“Both MastersounD’s 220 S.E. DueVenti and 230 S.E. DueTrenta are solid heavies of their breed. [...] The 220 S.E. has fully matured macrodynamics which are due not least to its agile competent bass. [...] The DueTrenta offers more energetic pressure than its smaller sibling. When displacement is called for, the higher reserves parlay the full joy of music rather than audiophile obsessions. You’ll never accuse the amp of macrodynamic restraint.”

The full review on www.sixmoons.com

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Mastersound Evoltion 845

Conclusion: In certain ways the MasterSound Evolution 845 reminded me of luxury limousines of days gone by – shark finned profiles, white-rimmed spoked tyres and wheel bases six meters long. Even fuel consumption fits this image. If this ain’t no bona fide single-ended valve amp, I plain don’t know what is. Sonically too it’s more about an idealized world than strictly measured neutrality. The MasterSound goes about things with Schmackes, harmonic riches and plenty of satisfaction…

Read the whole article on: 6moons.com

 

Lyngdorf TDAI-2200

“With my hand on my heart: the Lyngdorf (TDAI2200) amplifier is brutally good. I’m tended to make a special compliment: One doesn’t hear it. As a matter of fact, it plays absolutely neutral, controlled and clean, revealing details beautifully whilst perfectly pairing neutral reproduction to high musicality.”
“Nothing can be found or heard that points to a sterile sound or lack of character.”
“This is one unbelievably flexible amplifier, that offers a convincing base for demanding listeners and leaves all doors open for handymen and those eager to experiment.”
Eins Null, Germany (Christian Rechenbach)

ETI Bayonet Banana Plug

“The ETI Bayonet Plug is an elegant solution providing a faster, cleaner signal of high purity and detail. The locking mechanism is positive and secure but a separate (and dedicated) part of the design that leaves no room for sonic degradation.”

Read more on soundlabsgroup.com.au

 

Lyngdorf Millennium Mk IV

“This is an exceptional amplifier, which is authoritative and thoroughly musical in practice. It’s excellent with high-resolution speakers for extended listening and this is the first digital amplifier for which we’ve been able to make this claim.”

Click here for the full article at techradar.com